Artist's Space - Residents | Tabakalera - Donostia / San Sebastián


Nowadays at Tabakalera

Nowadays at Tabakalera

Archivo de Artistas Residentes

Archivo de Artistas Residentes

  • JO TA KE

    Aitziber Olaskoaga

    In 1990, Negu Gorriak played their first concert outside Herrera de la Mancha prison and later sold a VHS recording of the event.


    Alberto Martin

    Hunting takes place in the countryside of southern Extremadura during the cold winter months. Ana (20) and Juan Luis (25) are a young couple in charge of leading the dogs in this ritual event. For some time, Ana has been thinking about leaving her town for the capital.


    Martina Juncadella

    A writer moves to a mythical hotel in central Buenos Aires while in the depths of grief following the death of his mother. While tackling his next novel, he wanders the city with a roll of paintings that he can’t open.


    Michael Wahrmann

    A retired French couple buy an abandoned house on a paradisiac island in the northeast of Brazil. The island is more isolated than what they had imagined.


    Raven Jackson

    In lyrical, non-linear portraits evoking the texture of memories, All Dirt Roads Taste of Salt viscerally and experientially explores the life of a Black woman in the American South - from youth to her older years.

  • Julen García

    A body is never just a body

    Julen García

    A body is never just a body highlights the relationship between the body and the image, in a close approximation to the images produced by fashion.

    A body is never just a body
  • Miel Oyarzabal


    Miel Oyarzabal

    I am interested in the Tabakalera space. I am interested in it being a public space that opens and closes. I am interested to know that there is a whole public space enclosed within it. Time as a resource and time as a physical mechanism of transformation.

  • Irati Cano

    Leader Women

    Irati Cano

    An image of a woman accompanied by coloured bars that appears for a few frames (usually one to four) at the beginning and end of each 35mm film. These images were between the countdown numbers and between the colour sample bars that the public could not see, as an aid to calibrating the colour.

    Irati Cano
Filter results

Seleccione cualquier filtro y haga clic en Aplicar para ver los resultados